Archive for March, 2011

Sarah McQuaid – March 11, +workshop

Kelso ACE Centre concert
Friday, March 11th 2011
Doors open 7.30pm for open mic support
£5 on the door / £3 concessions
Club Members Free

Guitar workshop at Cobbles Inn (upstairs)
Saturday, March 12th 2011
10.30am for 11am – £10 (maximum 15)
Book at Pet Sounds, or at the concert, or email david@maxwellplace.demon.co.uk

About Sarah

Renowned for her warm, engaging stage presence, Sarah McQuaid is a versatile and beguiling performer. In addition to her own elegantly crafted originals, she interprets traditional Irish and Appalachian folk songs, Elizabethan ballads, 1930s jazz numbers, surprise covers and lively guitar instrumentals with panache and poignance.

Born in Spain, raised in Chicago and holding dual Irish and American citizenship, Sarah spent 13 years in Ireland and now lives near Penzance.

As might be expected of one who has led such a peripatetic existence, Sarah developed a taste for the road early on: From the age of twelve she was embarking on tours of the US and Canada with the Chicago Children’s Choir. In 1994, Sarah moved to Ireland, where she became a weekly folk music columnist for the Evening Herald and a contributor to Hot Press magazine. She is also the author of The Irish DADGAD Guitar Book, described by The Irish Times as “a godsend to aspiring traditional guitarists,” and has presented workshops on the DADGAD tuning at festivals and venues around the globe.

Her debut solo album, When Two Lovers Meet, was re-released in Ireland and the UK in 2007, a year that also saw Sarah touring as a solo artist for the first time. Tracks from the album were included in FolkCast’s “artists of the year” podcast and in Crooked Road host Mike Ganley’s Top Ten picks for the year.

Crow Coyote Buffalo, an album of songs co-written by Sarah with fellow Penzance resident Zoë (author and performer of 1991 hit single ‘Sunshine On A Rainy Day’) under the band name Mama, has also been garnering rave reviews since its January 2009 release; one critic described the pair as “Two pagan goddesses channelling the ghost of Jim Morrison”. (For more on Mama, see www.mamamusic.co.uk).

Now busy with upcoming tours and concerts in Ireland, the UK, Europe and the USA, Sarah is currently assembling material for her third solo album, provisionally titled The Plum Tree And The Rose, once again with Gerry O’Beirne producing and Trevor Hutchinson engineering. Sarah is also slowly but surely working on a novel for which she’s received two Irish Arts Council Bursaries in Literature. She hopes to finish it one of these days.

www.sarahmcquaid.com

Reviews

“Sparkling guitar and compelling alto voice … reminiscent of Pentangle’s best efforts … a gentle
and magical recording that I will return to time and again.” — Sing Out!

“Likely to make the hairs stand up on the back of your neck.” — Aled Jones, BBC Radio 2

“An unreserved thumbs-up. Captivating performance, great songs, playing and singing. Sarah was
also totally professional, charming and low maintenance. What more could you ask for?”
— Gerry Evans, TwickFolk, London

“She sings with so much beauty – and with utmost respect for the folklore behind each song and
ballad.” — Gene Shay, WXPN, Philadelphia

“A must for everyone who loves a CD you can put on again and again, and never tire of it.”
— Roz Larman, FolkScene, Los Angeles

“Pure magic!! We are running our folkclub for 16 years now but I never experienced such a thrilling
interaction between artist and audience.” — Piet Snellen, De Fookhook, Netherlands

“Her singing has shades of Baez minus the operatic warble and Gillian Welch without so much Nashville twang.” — Spiral Earth

“Some of the loveliest songs you’ll hear all year.”
— Living Tradition

“A masterclass in restraint and subtlety. Authoritative singing and quietly insistent arrangements make for a sumptuous whole.”
— fRoots

“Her own songwriting is beautifully spare … a melancholy but somehow celebratory collection.”
— The Irish Times

“Highly recommended.” — Americana UK
“Spine-tingling.” — Hot Press
“Quietly expressive and supremely affecting performances … a truly lovely record.”
— NetRhythms

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Friday, March 4th, 2011